The article drafts an interpretation of one of the most outstanding phenomenon produced by contemporary cultural industry: the life, death and miracles of the “big” Steve Jobs. The occurrence of this phenomenon, the article argues, forces critical theory into a process of self-actualization and into a detachment from the prevailing diagnosis of our times, i.e. the diagnosis of capitalism as being the triumph of the “last men” and of their tiny happiness.
Industria cultural hoy. Steve Jobs, un ejercicio de teoría crítica
DONAGGIO, Enrico
2011-01-01
Abstract
The article drafts an interpretation of one of the most outstanding phenomenon produced by contemporary cultural industry: the life, death and miracles of the “big” Steve Jobs. The occurrence of this phenomenon, the article argues, forces critical theory into a process of self-actualization and into a detachment from the prevailing diagnosis of our times, i.e. the diagnosis of capitalism as being the triumph of the “last men” and of their tiny happiness.File in questo prodotto:
Non ci sono file associati a questo prodotto.
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.