Starting from the example of the particularly ugly Palazzo Nuovo in Turin, this paper aims at providing, by way of comparison between architecture and visual arts, ten interpretations (conceptuality, auraticity, supplementarity, irresponsibility, parergonality, authoriality, subalternity, documentality, pyramidality, reality), which describe the characteristics of contemporary architecture as well as indicating certain limits and rules that architecture must necessarily come to terms with.
Margins of Architecture
FERRARIS, Maurizio
2013-01-01
Abstract
Starting from the example of the particularly ugly Palazzo Nuovo in Turin, this paper aims at providing, by way of comparison between architecture and visual arts, ten interpretations (conceptuality, auraticity, supplementarity, irresponsibility, parergonality, authoriality, subalternity, documentality, pyramidality, reality), which describe the characteristics of contemporary architecture as well as indicating certain limits and rules that architecture must necessarily come to terms with.File in questo prodotto:
File | Dimensione | Formato | |
---|---|---|---|
SAJ2013-1.MFerraris.pdf
Accesso riservato
Tipo di file:
PDF EDITORIALE
Dimensione
238.29 kB
Formato
Adobe PDF
|
238.29 kB | Adobe PDF | Visualizza/Apri Richiedi una copia |
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.