The essay discusses the new book of Andy Lavender (Performance in the Twenty- rst Century: Theatres of Engagement, Routledge, London & New York 2016) and focuses on the new perspective it opens on the contemporary theatre after the postmodernism and the postdramatic. In particularly it compares the notion of theatre engagement with the contemporary digital culture and entertainment. A brief consideration about methodology of interdisciplinarity concludes the article.

La drammaturgia della partecipazione nel mondo digitale

PIZZO, Antonio
2017-01-01

Abstract

The essay discusses the new book of Andy Lavender (Performance in the Twenty- rst Century: Theatres of Engagement, Routledge, London & New York 2016) and focuses on the new perspective it opens on the contemporary theatre after the postmodernism and the postdramatic. In particularly it compares the notion of theatre engagement with the contemporary digital culture and entertainment. A brief consideration about methodology of interdisciplinarity concludes the article.
2017
6
1
89
115
http://www.aaccademia.it/scheda-libro?aaref=1170
Pizzo, Antonio
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2318/1647813
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