In this paper I address the question of whether, how, and what we know through artistic improvisation. Has artistic improvisation a specific cognitive supply? Can this alleged cognitive supply contribute to the aesthetic merit of the performance? And how? In order to answer these questions I will first explain which is exactly the problem we face. Secondly, I will try to give some suggestions to solve this problem.

What do we know through improvisation?,

BERTINETTO, ALESSANDRO GIOVANNI
2013-01-01

Abstract

In this paper I address the question of whether, how, and what we know through artistic improvisation. Has artistic improvisation a specific cognitive supply? Can this alleged cognitive supply contribute to the aesthetic merit of the performance? And how? In order to answer these questions I will first explain which is exactly the problem we face. Secondly, I will try to give some suggestions to solve this problem.
2013
14
1
21
http://www.disturbis.esteticauab.org/DisturbisII/Indice_14_files/A.%20Bertinetto%20-%20What%20do%20we%20know%20through%20improvisation.pdf
Improvisation; Aesthetics; Philosophy of Art
Bertinetto A.G.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2318/1649108
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