Jürg Baur and Serial Thinking This essay rediscuss Baur’s famous statement of his own adoption of multipar- ametric serial procedures in Quintetto sereno (1958). Despite the absence of sketches or clear musical structures in the score which testify an evident serial control of the musical parameters (other than pitches), some hypotheses are made about a possible serialisation of rhythm. Moreover a parallel is drawn between the modality of adoption of dodecaphony back in the early 1950s and the potential use of serial procedures in Baur’s musical language.
Jürg Baur und das serielle Denken
Pietro Cavallotti
2019-01-01
Abstract
Jürg Baur and Serial Thinking This essay rediscuss Baur’s famous statement of his own adoption of multipar- ametric serial procedures in Quintetto sereno (1958). Despite the absence of sketches or clear musical structures in the score which testify an evident serial control of the musical parameters (other than pitches), some hypotheses are made about a possible serialisation of rhythm. Moreover a parallel is drawn between the modality of adoption of dodecaphony back in the early 1950s and the potential use of serial procedures in Baur’s musical language.
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