Sfoglia per Autore DI BONA, Elvira
Some Considerations on Pitch
2013-01-01 Elvira Di Bona
The Ockhamization of the Event Sources of Sounds
2013-01-01 Roberto Casati; Elvira Di Bona; Jérôme Dokic
The Method of Contrast and the Perception of Causality in Audition
2014-01-01 Elvira Di Bona
Narrative and Reflective Temporalities
2015-01-01 Elvira Di Bona
The Auditory Object
2017-01-01 Elvira Di Bona; Vincenzo Santarcangelo
Introduction. The nature of the auditory object and its specific status as an object of perception
2017-01-01 Elvira Di Bona; Vincenzo Santarcangelo
Listening to the Space of Music
2017-01-01 Elvira Di Bona
Towards a Rich View of Auditory Experience
2017-01-01 Elvira Di Bona
Il suono. L'esperienza uditiva e i suoi oggetti
2018-01-01 Elvira Di Bona; Vincenzo Santarcangelo
Un confronto tra analisi della scena uditiva musicale e ordinaria
2018-01-01 Elvira Di Bona
The Spatial Experience of Musical Sources: Two Case Studies
2018-01-01 Elvira Di Bona
Sounds and Auditory Perception
2019-01-01 Elvira Di Bona
Emotional Accounts of Musical Experience and Musical Object. On the Relationship between Music and Emotion
2019-01-01 Elvira Di Bona
Why Space Matters to an Understanding of Sound
2019-01-01 Elvira Di Bona
Musil in a loop: the other condition and the extended mind
2019-01-01 Elvira Di Bona; Stefano Ercolino
Sonic Methodology in Philosophy
2020-01-01 Elvira Di Bona
Sounds
2020-01-01 Roberto Casati; Jérôme Dokic; Elvira Di Bona
On Hearing Meanings: Reflections on the Method of Contrast, Adaptational Effects, and Semantic Satiation
2020-01-01 Elvira Di Bona
Music is not even language-like: Analyzing Kivy’s view on music and language
2020-01-01 Elvira Di Bona
Hearing chimeras
2022-01-01 Di Bona, E
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