The essay deals with terminological issues in Rémond de Sainte-Albine's "Le Comédien", comparing and discussing the use of certain terms related to acting and emotions with similar concepts in other Eighteenth-Century treatises, both in France and in England

L’attore, le parole e le cose. La terminologia dell’interpretazione nel Comédien di Rémond de Sainte-Albine

CARLOTTI, EDOARDO
2012-01-01

Abstract

The essay deals with terminological issues in Rémond de Sainte-Albine's "Le Comédien", comparing and discussing the use of certain terms related to acting and emotions with similar concepts in other Eighteenth-Century treatises, both in France and in England
2012
4
257
272
http://actingarchives.unior.it
acting; actor; emotion; Eighteenth Century; Rémond de Sainte-Albine; Diderot; Riccoboni
Edoardo Giovanni Carlotti
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2318/129259
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