This books ushers in a new way of talking about social phenomena. It develops an ontology of social objects on the basis of the claim that registration or inscription--the leaving of a trace to be called up later--is what is most fundamental to them. In doing so, it systematically organizes concepts and theories that Ferraris's predecessors--most notably Derrida, in his project of a positive grammatology--left in an impressionistic state. Ferraris begins by redefining ontology as a way of cataloguing the world. Before any epistemology can discuss the validity of scientific or nonscientific judgments, one faces a collection of objects, be they natural, ideal, or social. Among these, Ferraris focuses on social objects, elaborating a theory of experience in the social world that leads him to define social objects as "inscribed acts." He then uses this notion to interpret social phenomena, also in light of a systematic discussion of the concept of performatives, from Austin to Derrida and Searle. Moving into considerations of the present technological revolution, Ferraris develops a "symptomatology of the document" that leads to a consideration of legal systems, finding in them original applications for his theory that an object equals a written act. Written in an easy, often witty style, Documentality revises Foucault's late concept of the "ontology of actuality" into the project of an "ontological laboratory," thereby reinventing philosophy as a pragmatic activity that is directly applicable to our everyday life.

Documentality: Why It Is Necessary to Leave Traces

FERRARIS, Maurizio
2012-01-01

Abstract

This books ushers in a new way of talking about social phenomena. It develops an ontology of social objects on the basis of the claim that registration or inscription--the leaving of a trace to be called up later--is what is most fundamental to them. In doing so, it systematically organizes concepts and theories that Ferraris's predecessors--most notably Derrida, in his project of a positive grammatology--left in an impressionistic state. Ferraris begins by redefining ontology as a way of cataloguing the world. Before any epistemology can discuss the validity of scientific or nonscientific judgments, one faces a collection of objects, be they natural, ideal, or social. Among these, Ferraris focuses on social objects, elaborating a theory of experience in the social world that leads him to define social objects as "inscribed acts." He then uses this notion to interpret social phenomena, also in light of a systematic discussion of the concept of performatives, from Austin to Derrida and Searle. Moving into considerations of the present technological revolution, Ferraris develops a "symptomatology of the document" that leads to a consideration of legal systems, finding in them original applications for his theory that an object equals a written act. Written in an easy, often witty style, Documentality revises Foucault's late concept of the "ontology of actuality" into the project of an "ontological laboratory," thereby reinventing philosophy as a pragmatic activity that is directly applicable to our everyday life.
2012
Fordham University Press
Commonalities (FUP)
1
392
9780823249688
http://global.oup.com/academic/product/documentality-9780823249688;jsessionid=0EDBE78FD0D44EF47DF7AF8689B99742?cc=it&lang=en&
Documentality; Social Ontology; philosophy of social science
Maurizio Ferraris
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2318/134426
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