This paper suggests that this radical transformation happened as a result of a double movement in which American popular music was first transplanted to Europe, especially to Great Britain, in the second half of the 1950s, and indigenized” as a consequence of that transplantation, and later returned to its sender through a phenomenon known as the “British Invasion.” This movement radically transformed popular music for decades to come.
Recolonizing the Blues: The Paradox of the British Invasion of American Popular Music
CAROSSO, Andrea
2013-01-01
Abstract
This paper suggests that this radical transformation happened as a result of a double movement in which American popular music was first transplanted to Europe, especially to Great Britain, in the second half of the 1950s, and indigenized” as a consequence of that transplantation, and later returned to its sender through a phenomenon known as the “British Invasion.” This movement radically transformed popular music for decades to come.
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Carosso, Andrea (2013). Recolonizing the Blues (chapter 7 of M'baye, Crossing Traditions).pdf
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