This paper aims to show how off–screen in the cinema was able to break its subject area and extend its scope by involving the entire universe of moving–images creating devices of Agency directed not only to the viewers but to the same images.
Ai margini del desiderio. Quattro passi nel fuoricampo cinematografico
DE MARIA, Gian Marco
2014-01-01
Abstract
This paper aims to show how off–screen in the cinema was able to break its subject area and extend its scope by involving the entire universe of moving–images creating devices of Agency directed not only to the viewers but to the same images.
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