In this paper I try to shed light on the relationship between Ugo Nespolo and the Fluxus group, which the artist contributed to import to Italy in the late Sixties. I then argue that, thanks to the fact that Nespolo’s artworks (especially in the avant-garde period) are documents, it is possible to look in a new and diffrent way at an (anti)artistic movement that sought, in vain, to undermine the idea of objectivity and authorship of the work of art.
Nespolo/Fluxus – Fluxus/Nespolo. Storia di una intersezione
SANTARCANGELO, VINCENZO
2015-01-01
Abstract
In this paper I try to shed light on the relationship between Ugo Nespolo and the Fluxus group, which the artist contributed to import to Italy in the late Sixties. I then argue that, thanks to the fact that Nespolo’s artworks (especially in the avant-garde period) are documents, it is possible to look in a new and diffrent way at an (anti)artistic movement that sought, in vain, to undermine the idea of objectivity and authorship of the work of art.
File in questo prodotto:
Non ci sono file associati a questo prodotto.
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
