After illustrating some theoretical elements that make Croce’s aesthetic a focal point in contemporary aesthetics, in the present article I will show how, given the validity of the first part of Croce’s thesis (i), the second part of his thesis (ii) is not defensible in the terms proposed by him. Finally, on the basis on the previous analyses, I shall offer some arguments in favour of maintaining the disciplinary distinction between aesthetics and philosophy of art.

What Still Stands of Croce's Aesthetic

ANDINA, Tiziana
2015-01-01

Abstract

After illustrating some theoretical elements that make Croce’s aesthetic a focal point in contemporary aesthetics, in the present article I will show how, given the validity of the first part of Croce’s thesis (i), the second part of his thesis (ii) is not defensible in the terms proposed by him. Finally, on the basis on the previous analyses, I shall offer some arguments in favour of maintaining the disciplinary distinction between aesthetics and philosophy of art.
2015
10
2/2014
9
20
http://www.pjac.uj.edu.pl/archiwum/nr-10-2/2014-
Benedetto Croce, James J. Gibson, Perception, Sensation, Knowledge.
Andina Tiziana
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2318/1520473
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