A reciprocal symmetry between art and culture, the reductionism and the impoverishment of the artistic practices are all consequences of the establish- ment of the new conceptualist paradigm in art since the 60s. Nespolo’s artistic production in that period exemplifies this features being thus conceivable as a variant of conceptualism since he adopts its new experimental rules mixing them with the traditional ones of the visual artistic paradigm.
Un concettualista romantico
DAL SASSO, DAVIDE
2015-01-01
Abstract
A reciprocal symmetry between art and culture, the reductionism and the impoverishment of the artistic practices are all consequences of the establish- ment of the new conceptualist paradigm in art since the 60s. Nespolo’s artistic production in that period exemplifies this features being thus conceivable as a variant of conceptualism since he adopts its new experimental rules mixing them with the traditional ones of the visual artistic paradigm.
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