The paper examines two key Italian translations of Marlowe's Edward II, one meant for perfomance, the other with a poetic approach, and discuss the problems concerned with a philological vs. dramatic reading of the dramatic text.
The paper examines two key Italian translations of Marlowe's Edward II, one meant for perfomance, the other with a poetic approach, and discuss the problems concerned with a philological vs. dramatic reading of the dramatic text.
Silvia Pireddu, Edward II: l intraducibilità del sogno.
PIREDDU, Silvia
2003-01-01
Abstract
The paper examines two key Italian translations of Marlowe's Edward II, one meant for perfomance, the other with a poetic approach, and discuss the problems concerned with a philological vs. dramatic reading of the dramatic text.File in questo prodotto:
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