The paper describes one of the most interesting translations of Tasso's Aminta written by Henry Reynolds(1628)and examines the context of composition-translation in the light of a need for new style and a different consciousness of what, how and to what extent words convey knowledge in a platonic philosophical and aesthetic framework.

The paper investigates the dramatic heritage of Christopher Marlowe's drama in Restoration England by examining how the character of Tamburlaine was reinterpreted in the newly re-opened theatres.

Silvia Pireddu, Di caldi sensi e di liberal carme l esempio: Tamerlano ed il teatro delle virtù. Riflessioni sulla tragedia della Restaurazione.

PIREDDU, Silvia
2003-01-01

Abstract

The paper investigates the dramatic heritage of Christopher Marlowe's drama in Restoration England by examining how the character of Tamburlaine was reinterpreted in the newly re-opened theatres.
2003
40
36
106
http://hdl.handle.net/10807/183
English theatre; Restoration drama; Marlowe; Christopher; Acting; Teatro barocco; Teatro della Restaurazione; Teatro Inglese
The paper describes one of the most interesting translations of Tasso's Aminta written by Henry Reynolds(1628)and examines the context of composition-translation in the light of a need for new style and a different consciousness of what, how and to what extent words convey knowledge in a platonic philosophical and aesthetic framework.
PIREDDU S
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2318/1650273
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