The present article contains the study of Jordi Casanovas’ three plays on Catalan identity. The analysis demonstrates how the playwright succeeds in reflecting the complex reality of Catalan identity from a varied perspective both chronologically as well as socially. To achieve this goal, Casanovas creates public, semi-public and pri- vate contexts to develop the action, offering an overview which reproduces a changing reality and its constant redefinition. In this way, the playwright transforms a specific and ‘local’ message into a global and transnational one and invites the audience to reflect on a topic which from particular changes to general.

Teatre i identitat: Jordi Casanovas, "Una història catalana" (2011), "Pàtria" (2012) i "Vilafranca" (2015)

Veronica Orazi
2018-01-01

Abstract

The present article contains the study of Jordi Casanovas’ three plays on Catalan identity. The analysis demonstrates how the playwright succeeds in reflecting the complex reality of Catalan identity from a varied perspective both chronologically as well as socially. To achieve this goal, Casanovas creates public, semi-public and pri- vate contexts to develop the action, offering an overview which reproduces a changing reality and its constant redefinition. In this way, the playwright transforms a specific and ‘local’ message into a global and transnational one and invites the audience to reflect on a topic which from particular changes to general.
2018
31
141
150
http://www.romanistik.uni-freiburg.de/pusch/zfk/31/12_Orazi.pdf
Teatro catalano contemporaneo, Letteratura catalana contemporanea, Identità e letteratura
Veronica Orazi
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2318/1675082
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