The notions of experience and consciousness can connect approaches to aesthetic emotion so distant in culture as Medieval Indian thought, Vygotsky’s psychological theory, and modern cognitive neuroscience are respectively founded upon. Performing arts are an ideal field of study and research for the features that single out aesthetic experience as a peculiar phenomenon in human behaviour, wherein perceptual information is processed in a different state than ordinary everyday consciousness. Aesthetic experience is a phenomenon that goes beyond a mere artistic interest, and it must be necessarily surveyed by harmonizing empirical and phenomenological data on the basis of a cross-disciplinary approach accounting for historically and culturally differing contexts.

Esperienza e coscienza. Approcci alle arti performative

Edoardo Giovanni Carlotti
2018-01-01

Abstract

The notions of experience and consciousness can connect approaches to aesthetic emotion so distant in culture as Medieval Indian thought, Vygotsky’s psychological theory, and modern cognitive neuroscience are respectively founded upon. Performing arts are an ideal field of study and research for the features that single out aesthetic experience as a peculiar phenomenon in human behaviour, wherein perceptual information is processed in a different state than ordinary everyday consciousness. Aesthetic experience is a phenomenon that goes beyond a mere artistic interest, and it must be necessarily surveyed by harmonizing empirical and phenomenological data on the basis of a cross-disciplinary approach accounting for historically and culturally differing contexts.
2018
Accademia University Press
Mimesis Journal Books
11
1
168
978-88-99982-83-6
http://www.aaccademia.it/scheda-libro?aaref=1238
performing arts, consciousness, aesthetic, Abhinavagupta, Vygotsky, neuroscience, phenomenology
Edoardo Giovanni Carlotti
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2318/1677166
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