The notions of experience and consciousness can connect approaches to aesthetic emotion so distant in culture as Medieval Indian thought, Vygotsky’s psychological theory, and modern cognitive neuroscience are respectively founded upon. Performing arts are an ideal field of study and research for the features that single out aesthetic experience as a peculiar phenomenon in human behaviour, wherein perceptual information is processed in a different state than ordinary everyday consciousness. Aesthetic experience is a phenomenon that goes beyond a mere artistic interest, and it must be necessarily surveyed by harmonizing empirical and phenomenological data on the basis of a cross-disciplinary approach accounting for historically and culturally differing contexts.
Esperienza e coscienza. Approcci alle arti performative
Edoardo Giovanni Carlotti
2018-01-01
Abstract
The notions of experience and consciousness can connect approaches to aesthetic emotion so distant in culture as Medieval Indian thought, Vygotsky’s psychological theory, and modern cognitive neuroscience are respectively founded upon. Performing arts are an ideal field of study and research for the features that single out aesthetic experience as a peculiar phenomenon in human behaviour, wherein perceptual information is processed in a different state than ordinary everyday consciousness. Aesthetic experience is a phenomenon that goes beyond a mere artistic interest, and it must be necessarily surveyed by harmonizing empirical and phenomenological data on the basis of a cross-disciplinary approach accounting for historically and culturally differing contexts.
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