Riccardo Gualino: A Tycoon and Man of Letters «à rebours» under Fascism. International Suggestions, French Inspiration and Political Ambiguity, in Cristina Trinchero [con Nicoletta Betta], The Teatro di Torino (1925-1930): Synergy between Patronage and Music Criticism as a Means to Open a Window on Modernity under the Fascist Regime, in Music Criticism 1900-1950, edited by Jordi Ballester and Germán Gan Quesada, Turnhout, Brepols (“Music, Criticism & Politics”, 7), 2018, pp. 331-345.