This paper offers an exploratory theoretical attempt to apply the notion of musical atmosphere to the aesthetic experience of jazz as audio-tactile improvisatory music. This helps to understand jazz-specific expressiveness, on the one hand, avoiding the reductionism of Levinson's recent proposal and, on the other hand, developing his theory of the musical persona.
Parker’s Mood. Emotional Atmospheres and Musical Expressiveness in Jazz
Alessandro Giovanni Bertinetto
2019-01-01
Abstract
This paper offers an exploratory theoretical attempt to apply the notion of musical atmosphere to the aesthetic experience of jazz as audio-tactile improvisatory music. This helps to understand jazz-specific expressiveness, on the one hand, avoiding the reductionism of Levinson's recent proposal and, on the other hand, developing his theory of the musical persona.
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