This paper examines how film and media representations have become a crucial tool of political response to the Katrina emergency, by framing it as emblematic of the compounded crises that so-called ‘extreme natural events’highlight, involving the exacerbation of social injustice and second class citizenship, the questioning of the relationship between natural phenomena and man-made disaster, and the special vulnerability of coastal cities to the effects of climate change. By analyzing four visual texts emerging from the Katrina crisis—Spike Lee’s When the Levee Broke: A Requiem in Four Acts (2006), Carl Deal and Tia Lessin’s Trouble the Water (2008); HBO’sTreme (2009-2013), Benh Zeitlin’s Beasts of the Southern Wild (2012)—this paper frames eco-catastropheas a new conceptual paradigm of modernity

Unstoppable Crises: Hurricane Katrina in Film and Media Representations

Andrea Carosso
2022-01-01

Abstract

This paper examines how film and media representations have become a crucial tool of political response to the Katrina emergency, by framing it as emblematic of the compounded crises that so-called ‘extreme natural events’highlight, involving the exacerbation of social injustice and second class citizenship, the questioning of the relationship between natural phenomena and man-made disaster, and the special vulnerability of coastal cities to the effects of climate change. By analyzing four visual texts emerging from the Katrina crisis—Spike Lee’s When the Levee Broke: A Requiem in Four Acts (2006), Carl Deal and Tia Lessin’s Trouble the Water (2008); HBO’sTreme (2009-2013), Benh Zeitlin’s Beasts of the Southern Wild (2012)—this paper frames eco-catastropheas a new conceptual paradigm of modernity
2022
19
95
113
https://iperstoria.it/article/view/1172
Hurricane Katrina environmental disaster United States New Orleans
Andrea Carosso
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2318/1872221
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