– The essay will focus on Friedrich Schleiermacher(1768-1834) and his aesthetics which has been largely ignored until the rediscovery by Benedetto Croce at the beginning of the twentieth century. In particular, Schleiermacher’s aesthetics is analysed with special regard to the drawing theory – the point of indifference between or coincidence of painting and sculpture – examined as innovative contribution to the European thought on visual art. This specific aesthetic position is also explored from several vantage points in the light of other German Idealism drawing theories.
FRIEDRICH SCHLEIERMACHER E L’ESTETICA DEL DISEGNO
tordella piera giovanna
2022-01-01
Abstract
– The essay will focus on Friedrich Schleiermacher(1768-1834) and his aesthetics which has been largely ignored until the rediscovery by Benedetto Croce at the beginning of the twentieth century. In particular, Schleiermacher’s aesthetics is analysed with special regard to the drawing theory – the point of indifference between or coincidence of painting and sculpture – examined as innovative contribution to the European thought on visual art. This specific aesthetic position is also explored from several vantage points in the light of other German Idealism drawing theories.
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