Since 1965 circa, Enchi Fumiko (1905-86) started focusing on elderly women’s figures, producing a series of works called rōjomono 老女物 (stories of elderly women). The 1974 short story Neko no sōshi 猫の草子 (Cat albums) is considered part of the genre. This article analyses how Neko no sōshi relates to its Postwar literary context, investigates its peculiar narrative structure, and emphasises the crucial figure of the cat, together with its link with dementia as it emerges from the work through the cat albums. The aim is to show how, in the social context of the 1970s, Neko no sōshi highlighted a new point of view on the theme of senility, no longer seen as a burden for the family, but as a possibility to regain agency for the elderly.

La figura dell’anziana nella letteratura giapponese del dopoguerra. "Neko no sōshi" (1974) di Enchi Fumiko

Daniela Moro
2022-01-01

Abstract

Since 1965 circa, Enchi Fumiko (1905-86) started focusing on elderly women’s figures, producing a series of works called rōjomono 老女物 (stories of elderly women). The 1974 short story Neko no sōshi 猫の草子 (Cat albums) is considered part of the genre. This article analyses how Neko no sōshi relates to its Postwar literary context, investigates its peculiar narrative structure, and emphasises the crucial figure of the cat, together with its link with dementia as it emerges from the work through the cat albums. The aim is to show how, in the social context of the 1970s, Neko no sōshi highlighted a new point of view on the theme of senility, no longer seen as a burden for the family, but as a possibility to regain agency for the elderly.
2022
LEA
11
463
480
Animacy, Enchi Fumiko, Neko no sōshi, Rōjomono, Senility
Daniela Moro
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2318/1884063
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