This paper aims at analyzing the representation of food and eating in seminal works by Japanese author Tawada Yōko. The first part of this contribution will analyze the connection between food and metamorphosis, focusing especially on Das Bad and Yōgisha no yakōressha, works that belong to an earlier stage of the production of Tawada. The second part of this contribution will specifically inspect the representation and the metaphor of food in the works written in the aftermath of the 3.11 such as Kentōshi, Fushi no shima and the poem Hamlet no see.

Digesting the foreign. Food and Eating in the works of Tawada Yōko

Francesco Eugenio Barbieri
2021-01-01

Abstract

This paper aims at analyzing the representation of food and eating in seminal works by Japanese author Tawada Yōko. The first part of this contribution will analyze the connection between food and metamorphosis, focusing especially on Das Bad and Yōgisha no yakōressha, works that belong to an earlier stage of the production of Tawada. The second part of this contribution will specifically inspect the representation and the metaphor of food in the works written in the aftermath of the 3.11 such as Kentōshi, Fushi no shima and the poem Hamlet no see.
2021
Food issues 食事. Interdisciplinary Studies on Food in Modern and Contemporary East Asia.
Firenze University Press
Studi e saggi
233
77
92
978-88-5518-505-9
978-88-5518-506-6
978-88-5518-507-3
978-88-5518-508-0
https://books.fupress.com/chapter/digesting-the-foreign-food-and-eating-in-the-works-of-tawada-yko/11740
food, eating, metamorphosis, foreignness, Tawada Yōko, 3.11.
Francesco Eugenio Barbieri
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2318/1896378
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