The paper examines five poems in which the Portuguese Baroque poet Frei Jerónimo Baía (1620-1688) depicts the portrait of the beloved woman. Each of these texts features the list of the different body parts praised for their beauty, following a model already present in the Petrarchist tradition. Baía combines to this model, like other authors of the same period, a display of wit and a playful disposition for wordplay, hyperbole, and paradox.

Corpi in gioco: la descriptio puellae nell’opera di Jerónimo Baía

Matteo Rei
2023-01-01

Abstract

The paper examines five poems in which the Portuguese Baroque poet Frei Jerónimo Baía (1620-1688) depicts the portrait of the beloved woman. Each of these texts features the list of the different body parts praised for their beauty, following a model already present in the Petrarchist tradition. Baía combines to this model, like other authors of the same period, a display of wit and a playful disposition for wordplay, hyperbole, and paradox.
2023
XV
1
311
325
https://confluenze.unibo.it/article/view/16267
portrait, lyric poetry, Baroque, Frei Jerónimo Baía, Petrarchism
Matteo Rei
File in questo prodotto:
File Dimensione Formato  
2023. REI. Corpi in gioco.pdf

Accesso aperto

Descrizione: Corpi in gioco: la descriptio puellae nell’opera di Jerónimo Baía
Tipo di file: PDF EDITORIALE
Dimensione 750.35 kB
Formato Adobe PDF
750.35 kB Adobe PDF Visualizza/Apri

I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2318/1915710
Citazioni
  • ???jsp.display-item.citation.pmc??? ND
  • Scopus ND
  • ???jsp.display-item.citation.isi??? ND
social impact