investigates the trajectory of the Living Theater with an emphasis on the period in which the company established itself in Brazil in the 1970s. In this article, the author seeks to trace the poetic routes that the company built in its laboratory creation processes to materialize the his non-violent revolutionary utopia: tactics of resistance to power and the state.

Deslocamentos e processos criativos na contracultura

VANNUCCI A
First
2017-01-01

Abstract

investigates the trajectory of the Living Theater with an emphasis on the period in which the company established itself in Brazil in the 1970s. In this article, the author seeks to trace the poetic routes that the company built in its laboratory creation processes to materialize the his non-violent revolutionary utopia: tactics of resistance to power and the state.
2017
9
1
63
75
http://www.seer.unirio.br/index.php/opercevejoonline/article/view/6897
Living Theatre; Revolutionary utopia; Brazil, Dictatorship
VANNUCCI A
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ensaio - Deslocamentos su Percevejo 2017.pdf

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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2318/1929597
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