In the trajectory of the Living Theatre, an American theater company nomadic by choice since 1964, the trip to Brazil in 1970 to 1971 provided through extreme experiences of oppression – such as detention – the discovery of new strategies of aestethic-politic activism. Focusing on a theatrical process that did not happen as a show, but sparked a spectacular self-exposure of the military dictatorship repression devices, the paper aims to analyse constituent structures of that stage of Brazilian history.
Legado de Caim. A jornada brasileira do Living Theatre
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2015-01-01
Abstract
In the trajectory of the Living Theatre, an American theater company nomadic by choice since 1964, the trip to Brazil in 1970 to 1971 provided through extreme experiences of oppression – such as detention – the discovery of new strategies of aestethic-politic activism. Focusing on a theatrical process that did not happen as a show, but sparked a spectacular self-exposure of the military dictatorship repression devices, the paper aims to analyse constituent structures of that stage of Brazilian history.
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ensaio - Legado de Caim su Sala Preta 2015.pdf
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