This paper contrasts installation artworks with sculptures and architectural works. Both works of installation art and most sculptures present three-dimensional objects that we can observe from multiple viewpoints. However, installation artworks do not arouse the kind of imaginings that, according to Susanne Langer, are distinctive of the experience of sculptures. Both works of architecture and works of installation art are spaces that we are supposed to explore from within. However, only installation art is an interactive art form. Based on Berys Gaut’s view of interactivity, the paper proposes to understand works of installation art as multiply instantiable and suggests that they authorize that their public’s actions partly determine their instances.

On experiencing installation art

Elisa Caldarola
2020-01-01

Abstract

This paper contrasts installation artworks with sculptures and architectural works. Both works of installation art and most sculptures present three-dimensional objects that we can observe from multiple viewpoints. However, installation artworks do not arouse the kind of imaginings that, according to Susanne Langer, are distinctive of the experience of sculptures. Both works of architecture and works of installation art are spaces that we are supposed to explore from within. However, only installation art is an interactive art form. Based on Berys Gaut’s view of interactivity, the paper proposes to understand works of installation art as multiply instantiable and suggests that they authorize that their public’s actions partly determine their instances.
2020
339
343
https://doi.org/10.1111/jaac.12734
installation art, phenomenology of art, philosophy of art
Elisa Caldarola
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2318/1947495
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