We observe new regulatory approaches arising from technology such as the emergent Artificial Intelligence (AI)-generated art. Since the 70s, computers have been used to create imaginative works such as poetry, paintings, and musical compositions. Most of those computer-made oeuvres derived from the programmer’s inputs, while the machine was simply an instrument, like a brush or a camera. While this perception persists today, we are also facing a dramatic technological change which grants us the opportunity to re-evaluate the role played by processors in the creative course.

Human Authorship and Art Created by Artificial Intelligence – Where Do We Stand?

AJANI GIANMARIA
First
2022-01-01

Abstract

We observe new regulatory approaches arising from technology such as the emergent Artificial Intelligence (AI)-generated art. Since the 70s, computers have been used to create imaginative works such as poetry, paintings, and musical compositions. Most of those computer-made oeuvres derived from the programmer’s inputs, while the machine was simply an instrument, like a brush or a camera. While this perception persists today, we are also facing a dramatic technological change which grants us the opportunity to re-evaluate the role played by processors in the creative course.
2022
Digital Ethics - The issue of images
Nomos
197
212
9783848788415
Diritto Iconografia Autore
AJANI GIANMARIA
File in questo prodotto:
File Dimensione Formato  
Chapter 15_Ajani.pdf

Accesso riservato

Dimensione 116.67 kB
Formato Adobe PDF
116.67 kB Adobe PDF   Visualizza/Apri   Richiedi una copia

I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2318/1948851
Citazioni
  • ???jsp.display-item.citation.pmc??? ND
  • Scopus ND
  • ???jsp.display-item.citation.isi??? ND
social impact