Cinema and history, in Benjamin’s thought, are subject to the same law. This privileges the suspension of the single event, allowing for an analysis of the single frame as if in it the whole of the sequence (or historical happening) was collected in an immense contraction of time. This being the case, the Benjaminian doctrine about an authentic state of exception can be explored through significant images, which played a major role in the author’s philosophical formation. In these iconographic analyses, the names of Grünewald, Dürer and Raphael will emerge above all others.

Temporalità messianica, tecnica del montaggio e stato d’eccezione. Un percorso per immagini nella filosofia di Walter Benjamin

Gianluca Cuozzo
2023-01-01

Abstract

Cinema and history, in Benjamin’s thought, are subject to the same law. This privileges the suspension of the single event, allowing for an analysis of the single frame as if in it the whole of the sequence (or historical happening) was collected in an immense contraction of time. This being the case, the Benjaminian doctrine about an authentic state of exception can be explored through significant images, which played a major role in the author’s philosophical formation. In these iconographic analyses, the names of Grünewald, Dürer and Raphael will emerge above all others.
2023
XIII
3/2023
543
560
End of History, Messianic Interruption, Image, Political Theology, Cinema, Walter Benjamin
Gianluca Cuozzo
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2318/1970082
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