The role that multimedia texts take in the current communicative dimension shows new forms of textual production and has a considerable impact on the reception process. My contribution deals with the new construction strategies for texts and their influence on the reception process as well as their effects on a cognitive level – what Antos (2014) calls a digital shift from communicating to perceiving. Internet users contribute to the hermeneutics of digital texts in different ways: They reconstruct their intertextuality and substitute the quotations they contain based on their cultural competences. However, to resort to a logic that contains allusions is to confront the reader with something unexpected in digital messages, to attract his attention and to actively involve him in solving a conceptual problem. From this perspective, the conceptual conflicts on which digital communication is very often based, according to Michele Prandi (2017), appear as a form of creative revaluation of the formal syntactic structures of language.
Neue textuelle Inszenierungsformen der Bedeutungskonstitution in der digitalen Kommunikation. Konzeptuelle Metaphern, Stereotype und Intertextualität.
Silvia Verdiani
2024-01-01
Abstract
The role that multimedia texts take in the current communicative dimension shows new forms of textual production and has a considerable impact on the reception process. My contribution deals with the new construction strategies for texts and their influence on the reception process as well as their effects on a cognitive level – what Antos (2014) calls a digital shift from communicating to perceiving. Internet users contribute to the hermeneutics of digital texts in different ways: They reconstruct their intertextuality and substitute the quotations they contain based on their cultural competences. However, to resort to a logic that contains allusions is to confront the reader with something unexpected in digital messages, to attract his attention and to actively involve him in solving a conceptual problem. From this perspective, the conceptual conflicts on which digital communication is very often based, according to Michele Prandi (2017), appear as a form of creative revaluation of the formal syntactic structures of language.File | Dimensione | Formato | |
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