This paper investigates the “cult of the Self” pervading contemporary mediatised cultures, adopting a semiotic approach. More specifically, it draws on the analysis of the fictional case of Ionismo, ironically represented by director Alessandro Aronadio in the movie Just Believe (orig. IO C’È, 2018), to shed new light on the figure of the “influencer” (focusing in particular on the emblematic case of Chiara Ferragni), which has become fundamental in contemporary mediascapes. Thus it problematises the bodies, as well as the sacred objects, and more generally the figures, of today’s cult of the Self, with specific reference to the “generative model” suggested by Just Believe, as well as to the understanding of the sacred in the “postsecular” era.

The Mirror, the Self(ie) and the New Sacred: Bodies, Objects and Figures of the Contemporary "Cult of the Self"

STANO, Simona
2024-01-01

Abstract

This paper investigates the “cult of the Self” pervading contemporary mediatised cultures, adopting a semiotic approach. More specifically, it draws on the analysis of the fictional case of Ionismo, ironically represented by director Alessandro Aronadio in the movie Just Believe (orig. IO C’È, 2018), to shed new light on the figure of the “influencer” (focusing in particular on the emblematic case of Chiara Ferragni), which has become fundamental in contemporary mediascapes. Thus it problematises the bodies, as well as the sacred objects, and more generally the figures, of today’s cult of the Self, with specific reference to the “generative model” suggested by Just Believe, as well as to the understanding of the sacred in the “postsecular” era.
2024
25
31
88
104
https://www.ocula.it/files/OCULA-31-STANO-The-mirror-the-selfie-and-the-new-sacred.pdf
Cult; Self; Media; Influencer; Semiotics
STANO, Simona
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2318/2042890
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