In most interpretations of Gianni Vattimo’s work, his philosophical and political interests are typically linked to the later stages of his thought, beginning in the late 1990s. However, the years of Vattimo’s philosophical debut also mark the emergence of his public engagement—whether this engagement was intentional, consciously pursued, or occurred almost by chance, as his autobiography sometimes suggests. This essay explores the evolution of Vattimo’s interest in political themes, from his volume Art’s Claim to Truth (1968) to his reflections in the early 2000s. While his political stance undergoes significant changes over the years, his conception of philosophy remains central: a committed discourse aimed at transforming reality—or even one with revolutionary potential.

Gianni Vattimo and Political Engagement: From the Avant-gardes to the “Thought of the Weak”

Alberto Martinengo
2024-01-01

Abstract

In most interpretations of Gianni Vattimo’s work, his philosophical and political interests are typically linked to the later stages of his thought, beginning in the late 1990s. However, the years of Vattimo’s philosophical debut also mark the emergence of his public engagement—whether this engagement was intentional, consciously pursued, or occurred almost by chance, as his autobiography sometimes suggests. This essay explores the evolution of Vattimo’s interest in political themes, from his volume Art’s Claim to Truth (1968) to his reflections in the early 2000s. While his political stance undergoes significant changes over the years, his conception of philosophy remains central: a committed discourse aimed at transforming reality—or even one with revolutionary potential.
2024
2
137
150
Vattimo, Pareyson, Political Ontology, Aesthetics, Avant-Gardes
Alberto Martinengo
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2318/2060651
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