Starting with some reflections on the cultural significance of monstrosity and the uncanny, this essay sets out to explore some figures of monstrous childhood in postwar Italian horror cinema. The films mentioned will be "Kill Baby… Kill!" (Mario Bava, 1966), "Toby Dammit" (Federico Fellini, 1968) and "Un gioco per Eveline" (Marcello Avallone, 1971).

Terrifying Children in Postwar Italian Horror Cinema: A Historical-Educational Perspective

Irene Papa
2023-01-01

Abstract

Starting with some reflections on the cultural significance of monstrosity and the uncanny, this essay sets out to explore some figures of monstrous childhood in postwar Italian horror cinema. The films mentioned will be "Kill Baby… Kill!" (Mario Bava, 1966), "Toby Dammit" (Federico Fellini, 1968) and "Un gioco per Eveline" (Marcello Avallone, 1971).
2023
XIX
38
45
60
https://paideutika.journals.publicknowledgeproject.org/index.php/paideutika/article/view/6557
childhood, cinema, history, uncanny, monsters, adulthood
Irene Papa
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2318/2071323
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