In mid-17th-century Paris, three female playwrights, two Italian and one French, staged three plays adapted from Spanish comedies on the stage of the Palais-Royal, where Molière's troupe and Italian comedians of the art coexisted. This study analyzes the three adaptations, never previously compared, to highlight their similarities and differences
La comedia in scena al teatro del Palais-Royal: adattamenti al femminile nella Parigi della seconda metà del Seicento
Monica Pavesio
2026-01-01
Abstract
In mid-17th-century Paris, three female playwrights, two Italian and one French, staged three plays adapted from Spanish comedies on the stage of the Palais-Royal, where Molière's troupe and Italian comedians of the art coexisted. This study analyzes the three adaptations, never previously compared, to highlight their similarities and differences
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