In "Problems of Dostoevsky Creative Art" (1929) Bachtin presents polyphonic novel in terms of dialogical unfinalizability. In the manuscript (1938) eventually published as "Rabelais and His World" (1965)Bachtin argues that carnival laughter overcomes all oppressive social norms and presents his unfinalizability as pure loophole: this way Bachtin regards modern novel as space for dialog and conflict. Averincev, Groys and Ryklin affirm that in fact with his carnival theory Bachtin justified Stalinist violence, where dialog and conflict were neither possible.
Il comico tra dialogo e conflitto
SALIZZONI, Roberto
2009-01-01
Abstract
In "Problems of Dostoevsky Creative Art" (1929) Bachtin presents polyphonic novel in terms of dialogical unfinalizability. In the manuscript (1938) eventually published as "Rabelais and His World" (1965)Bachtin argues that carnival laughter overcomes all oppressive social norms and presents his unfinalizability as pure loophole: this way Bachtin regards modern novel as space for dialog and conflict. Averincev, Groys and Ryklin affirm that in fact with his carnival theory Bachtin justified Stalinist violence, where dialog and conflict were neither possible.
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