Philosophical issues surrounding fiction have attracted increasing attention from philosophers over the past few decades. What follows is a discussion of one familiar and quite fundamental topic in this area: fictional entities (both the issue of what such entities might be like and whether there really are such entities). A familiar characteristic of works of fiction is that they feature fictional characters: individuals whose exploits are written about in works of fiction and who make their first appearance in a work of fiction. Shakespeare’s Hamlet, for example, features the fictional character Hamlet, Doyle’s The Hound of the Baskervilles features Sherlock Holmes, Tolstoy’s Anna Karenina features Anna Karenina, and so on. All of these works feature numerous other fictional characters, of course (Ophelia and Dr Watson, for example); indeed, some works of fiction are characterized by the sheer abundance of their characters (Russian novels are often said to have this characteristic). Fictional characters belong to the class of entities variously known as fictional entities or fictional objects or ficta, a class that includes not just animate objects of fiction (fictional persons, animals, monsters, and so on) but also inanimate objects of fiction such as fictional places (Anthony Trollope’s cathedral town of Barchester and Tolkien’s home of the elves, Rivendell, for example). As stated, however, it doesn’t include entities located in the real world, although real entities do have an important role to play in works of fiction. Thus, neither London nor Napoleon are fictional entities, although the first is the quite essential backdrop to what goes on in the Holmes stories while the second plays an important role in the events described in War and Peace. (While London and Napoleon are not fictional entities, some have thought that the London of the Holmes stories and the Napoleon of War and Peace should be classed as special fictional entities. This view has recently gained some popularity: cf. Landini 1990, Bonomi 2008, Voltolini 2006, 2013, Motoarca 2014.) The above characterization suggests that fictional entities constitute a special type of entity. Not surprisingly, then, one fundamental philosophical question we can ask about fictional entities is a question about their nature: what kind of thing is a fictional entity? This question is separate from what seems an even more fundamental question: why suppose that there are any fictional entities in the first place? After all, our world never contained a Sherlock Holmes or a Rivendell—these alleged entities make their appearance in works of fiction, not works of fact. Following the division in Thomasson 1999, we shall call the first question the metaphysical question, and the second the ontological question.

Fictional Entities

VOLTOLINI, Alberto
2018-01-01

Abstract

Philosophical issues surrounding fiction have attracted increasing attention from philosophers over the past few decades. What follows is a discussion of one familiar and quite fundamental topic in this area: fictional entities (both the issue of what such entities might be like and whether there really are such entities). A familiar characteristic of works of fiction is that they feature fictional characters: individuals whose exploits are written about in works of fiction and who make their first appearance in a work of fiction. Shakespeare’s Hamlet, for example, features the fictional character Hamlet, Doyle’s The Hound of the Baskervilles features Sherlock Holmes, Tolstoy’s Anna Karenina features Anna Karenina, and so on. All of these works feature numerous other fictional characters, of course (Ophelia and Dr Watson, for example); indeed, some works of fiction are characterized by the sheer abundance of their characters (Russian novels are often said to have this characteristic). Fictional characters belong to the class of entities variously known as fictional entities or fictional objects or ficta, a class that includes not just animate objects of fiction (fictional persons, animals, monsters, and so on) but also inanimate objects of fiction such as fictional places (Anthony Trollope’s cathedral town of Barchester and Tolkien’s home of the elves, Rivendell, for example). As stated, however, it doesn’t include entities located in the real world, although real entities do have an important role to play in works of fiction. Thus, neither London nor Napoleon are fictional entities, although the first is the quite essential backdrop to what goes on in the Holmes stories while the second plays an important role in the events described in War and Peace. (While London and Napoleon are not fictional entities, some have thought that the London of the Holmes stories and the Napoleon of War and Peace should be classed as special fictional entities. This view has recently gained some popularity: cf. Landini 1990, Bonomi 2008, Voltolini 2006, 2013, Motoarca 2014.) The above characterization suggests that fictional entities constitute a special type of entity. Not surprisingly, then, one fundamental philosophical question we can ask about fictional entities is a question about their nature: what kind of thing is a fictional entity? This question is separate from what seems an even more fundamental question: why suppose that there are any fictional entities in the first place? After all, our world never contained a Sherlock Holmes or a Rivendell—these alleged entities make their appearance in works of fiction, not works of fact. Following the division in Thomasson 1999, we shall call the first question the metaphysical question, and the second the ontological question.
2018
Stanford Encyclopedia of Philosophy
The Metaphysics Research Lab
1
57
https://plato.stanford.edu/entries/fictional-entities/
abstract objects; existence; fictionalism; Meinongian objects; possible objects; fictional objects
Kroon F; Voltolini A
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2318/92643
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