Artworks have a strong emotional impact on the visitors of an exhibition. Many museums and associations opened their collections for access on the web and have studied the potential of social tagging. User data collected by tagging in art social platforms are a precious information source about emotional responses to artworks and a feedback about the way in which users perceives collections. In this paper, we present our new achievements on this topic within the ArsEmotica framework. Our focus is on eliciting sharable emotional meanings from online collection visitors tags, by interactively involving the users of the virtual communities in the process of capturing the latent emotions behind the tags. We rely on methods and tools from a set of disciplines ranging from Semantic and Social Web to NLP. Such disciplines provide the building blocks for creating a semantic social space, where artworks can be dynamically organized according to a new ontology of emotions inspired by the well-known Plutchik's model of human emotions. The final aim is to involve users in the creation of such emotional space and, then, to offer them an emotion-driven access to the artworks.

Emotional Responses to Artworks in Online Collections

PATTI, Viviana
2013-01-01

Abstract

Artworks have a strong emotional impact on the visitors of an exhibition. Many museums and associations opened their collections for access on the web and have studied the potential of social tagging. User data collected by tagging in art social platforms are a precious information source about emotional responses to artworks and a feedback about the way in which users perceives collections. In this paper, we present our new achievements on this topic within the ArsEmotica framework. Our focus is on eliciting sharable emotional meanings from online collection visitors tags, by interactively involving the users of the virtual communities in the process of capturing the latent emotions behind the tags. We rely on methods and tools from a set of disciplines ranging from Semantic and Social Web to NLP. Such disciplines provide the building blocks for creating a semantic social space, where artworks can be dynamically organized according to a new ontology of emotions inspired by the well-known Plutchik's model of human emotions. The final aim is to involve users in the creation of such emotional space and, then, to offer them an emotion-driven access to the artworks.
2013
Inglese
contributo
4 - Workshop
6th International Workshop on Personalized Access to Cultural Heritage, PATCH 2013
Roma, Italy
14/06/2013
Internazionale
Late-Breaking Results, Project Papers and Workshop Proceedings of the 21st Conference on User Modeling, Adaptation, and Personalization.
Comitato scientifico
CEUR Workshop Proceedings
Aachen
GERMANIA
997
1
12
12
http://ceur-ws.org/Vol-997/patch2013_paper_12.pdf
online collections; ontologies; social tagging; affective computing
no
1 – prodotto con file in versione Open Access (allegherò il file al passo 6 - Carica)
2
info:eu-repo/semantics/conferenceObject
04-CONTRIBUTO IN ATTI DI CONVEGNO::04A-Conference paper in volume
Bertola, F.; Patti, Viviana
273
open
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2318/146314
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