This paper introduces an experimental digital sound syn- thesis technique called Permutation synthesis, which fo- cuses around creating new waveforms by moving groups of samples (chunks) of existing waves. Similarly to granular synthesis, permutation synthesis is a time-based technique, i.e. it operates directly on the discrete waveform: by means of varying the length of the chunks, several perceptual ef- fects can be obtained. The most important parameter in permutation synthesis is the permutation frequency, which is inversely proportional to the chunk length; the resolu- tion of this parameter is directly related to the sampling frequency (given the fact that a chunk is always an integer number of samples), thus a time-quantisation error is de- fined. An algorithm for real-time permutation implemented as a SuperCollider plug-in is described, consisting of 3 UGens performing permutation synthesis in slightly different ways. The resulting signals are then analysed and their time and spectral effects are justified by defining formulas that ana- lytically quantify the results.

Permutation synthesis

VALLE, ANDREA;
2014-01-01

Abstract

This paper introduces an experimental digital sound syn- thesis technique called Permutation synthesis, which fo- cuses around creating new waveforms by moving groups of samples (chunks) of existing waves. Similarly to granular synthesis, permutation synthesis is a time-based technique, i.e. it operates directly on the discrete waveform: by means of varying the length of the chunks, several perceptual ef- fects can be obtained. The most important parameter in permutation synthesis is the permutation frequency, which is inversely proportional to the chunk length; the resolu- tion of this parameter is directly related to the sampling frequency (given the fact that a chunk is always an integer number of samples), thus a time-quantisation error is de- fined. An algorithm for real-time permutation implemented as a SuperCollider plug-in is described, consisting of 3 UGens performing permutation synthesis in slightly different ways. The resulting signals are then analysed and their time and spectral effects are justified by defining formulas that ana- lytically quantify the results.
2014
XX COLLOQUIO DI INFORMATICA MUSICALE 20TH COLLOQUIUM ON MUSIC INFORMATICS
Roma
20–22 ottobre 2014
Musiche liquide - Liquid Music Proceedings XX COLLOQUIO DI INFORMATICA MUSICALE 20TH COLLOQUIUM ON MUSIC INFORMATICS
Università Iuav di Venezia
35
40
9788890341335
GIACOMO VALENTI; ANDREA VALLE; ANTONIO SERVETTI
File in questo prodotto:
File Dimensione Formato  
permutationSynthesis.pdf

Accesso aperto

Tipo di file: PDF EDITORIALE
Dimensione 2.2 MB
Formato Adobe PDF
2.2 MB Adobe PDF Visualizza/Apri

I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2318/152884
Citazioni
  • ???jsp.display-item.citation.pmc??? ND
  • Scopus ND
  • ???jsp.display-item.citation.isi??? ND
social impact