Romanzi cinguettati e contraintes virtuali. Come Twitter gioca e fa giocare con l’arte del narrare

Constrained writing, creativity, potentiality: these are the keys of the parisian Oulipo founded by Raymond Queneau: a factory, a home-made laboratory dedicated to the language. After that experience, is now possible to find something similar within one of the biggest place for sociality as the web is? Could Twitter, the virtual square for the “twitting” in 140 signs, become a new factory based on linguistic and narrative games? Some experiments show the liveliness of the narrative game played on social networks: big publishing houses propose initiatives, famous writers write novels “tweet by tweet”: this can be seen as a “ludic bricolage”, a practice that have a huge creative power.