Each culture develops a specific semiotic ideology of catastrophe and reparation. Comparing and contrasting them reveals continuities and discontinuities. The traditional Japanese aesthetics resolves the problem of the anxiety for a potential catastrophe by focusing on the fullness of immanence. In the West, on the contrary, for which the idea of future is essential, the fatalistic approach of the Greco-Roman civilization is replaced by the Christian idea of the miracle. Investigating the iconography of the broken glass and its saintly reparations is a way to come to terms with the aesthetic and semiotic consequences of the transition.

Semiótica de la reparación

LEONE, Massimo
2017-01-01

Abstract

Each culture develops a specific semiotic ideology of catastrophe and reparation. Comparing and contrasting them reveals continuities and discontinuities. The traditional Japanese aesthetics resolves the problem of the anxiety for a potential catastrophe by focusing on the fullness of immanence. In the West, on the contrary, for which the idea of future is essential, the fatalistic approach of the Greco-Roman civilization is replaced by the Christian idea of the miracle. Investigating the iconography of the broken glass and its saintly reparations is a way to come to terms with the aesthetic and semiotic consequences of the transition.
2017
Semióticas: Materialidades, discursividades, y culturas
Instituto Caro y Cuervo
142
159
9789586113601
Semiotica, semiotica della cultura, catastrofe, riparazione
Leone, Massimo
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2318/1651312
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