This article links humoristic imagination and comic degradation with the limits of the lettered discourse. In Argentinian humourist Carlos Warnes’s work, published in between 1940s and 1970s in popular magazines like Cascabel and Caras y Caretas, the “parodia costumbrista” and absurd hu-mour make writing detonate and intertwine with un untypical tradition of Latin American literature.
“La cosa de salir haora en librO”: César Bruto y la reinvención humorística del discurso literario
anna boccuti
2019-01-01
Abstract
This article links humoristic imagination and comic degradation with the limits of the lettered discourse. In Argentinian humourist Carlos Warnes’s work, published in between 1940s and 1970s in popular magazines like Cascabel and Caras y Caretas, the “parodia costumbrista” and absurd hu-mour make writing detonate and intertwine with un untypical tradition of Latin American literature.
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