We focus our research on the language of photography through the visual and con- ceptual contributions of Mexican photographer Graciela Iturbide. The theoretical considera- tions, mostly linked to visual semiotics and the semiotics of the body, intersect with studies on the rostrosphere and the philosophy of the face relevant to this volume. The images in the arti- cle illustrate representative aspects of Mexico and Latin America from a critical and creative vi- sion where the decolonial substratum dialogues with a hybrid and syncretic contemporaneity.

Semiótica de la fotografía con los ojos de Graciela Iturbide

BARBOTTO SILVIA
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Abstract

We focus our research on the language of photography through the visual and con- ceptual contributions of Mexican photographer Graciela Iturbide. The theoretical considera- tions, mostly linked to visual semiotics and the semiotics of the body, intersect with studies on the rostrosphere and the philosophy of the face relevant to this volume. The images in the arti- cle illustrate representative aspects of Mexico and Latin America from a critical and creative vi- sion where the decolonial substratum dialogues with a hybrid and syncretic contemporaneity.
ROSTROSFERAS DE AMÉRICA LATINA. Culturas, traducciones y mestizajes
ARACNE
I saggi di LEXIA
44
123
136
fotografia, escritura, semiotica visqual, rostrosfera, auto-retrato.
BARBOTTO SILVIA
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2318/1824178
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