The paper describes the sound installation Organum pineale, that has been commissioned by the National Museum of Cinema of Torino in the occasion of the “#FacceEmozioni” exhibition, dedicated to the relation between face expressiveness and emotions. The installation is site-responsive and exploits the peculiar acoustic features of a part of the Museum building, the so-called “Orecchia”. On one hand, the installation was meant to provide a sonic analogon of the main theme of the exhibition, in particular in relation to Descartes’ conceptualization of passions. On the other, its design aimed at emphasizing the unusual acoustic features of the Orecchia, a visually empty space, but very rich on the aural side. Organum pineale features a 28 + 4.1. audio system, delivering sound materials originating from a selection of films, that have been tagged in relation to Descartes’ six main passions. The overall sound process involves spatialized audio and a generative feedback sys- tem exploiting the room acoustics.

Organum pineale. Design and implementation of a site-responsive sound installation

Andrea Valle
2023-01-01

Abstract

The paper describes the sound installation Organum pineale, that has been commissioned by the National Museum of Cinema of Torino in the occasion of the “#FacceEmozioni” exhibition, dedicated to the relation between face expressiveness and emotions. The installation is site-responsive and exploits the peculiar acoustic features of a part of the Museum building, the so-called “Orecchia”. On one hand, the installation was meant to provide a sonic analogon of the main theme of the exhibition, in particular in relation to Descartes’ conceptualization of passions. On the other, its design aimed at emphasizing the unusual acoustic features of the Orecchia, a visually empty space, but very rich on the aural side. Organum pineale features a 28 + 4.1. audio system, delivering sound materials originating from a selection of films, that have been tagged in relation to Descartes’ six main passions. The overall sound process involves spatialized audio and a generative feedback sys- tem exploiting the room acoustics.
2023
XXIII Colloquio di Informatica Musicale
Ancona
25-28/10/2022
XXIII Colloquio di Informatica Musicale - Atti della Conferenza - Conference Proceedings
DADI - Dip.Arti e Design Industriale, Università IUAV di Venezia
72
78
9788890341366
https://www.aimi-musica.org/?page_id=46
S. Bassanese, G. Diana, M. Marson, L. Martone, Andrea Valle
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/2318/1903813
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