This article examines how Kant’s conception of sacrifice in Religion within the Boundaries of Mere Reason connects with his account of the sublime in the Critique of Judgment. We argue that the analogy between sacrifice and sublimity illuminates the transformation involved in moral rebirth, whereby the old self is relinquished for the sake of the new. This trans- formation comprises two interrelated aspects: suppressive sacrifice, which subordinates self-centered inclinations to the moral law, and kenotic sacrifice, in which self-centeredness is relinquished as part of a radical reorientation of one’s disposition. By situating these aspects within Kant’s discussions of grace, the archetype–prototype distinction, and the imagination’s “sacrifice” during experiences of the sublime, we show how sacrifice func- tions as a symbol both of the moral exemplar (Vorbild) and of the conversion process. The resulting threefold analogy—between the old/new self, Christ’s kenotic self-emptying, and the imagination’s renunciation within the experience of the sublime—reveals how aesthetic experience, especially the sublime, helps exemplify and empower moral transformation in Kant’s thought, supplementing what his ethics alone can explain.
Sacrifice and the Sublime in Kant’s Moral Vision
Paolo Diego Bubbio
Co-first
;
2025-01-01
Abstract
This article examines how Kant’s conception of sacrifice in Religion within the Boundaries of Mere Reason connects with his account of the sublime in the Critique of Judgment. We argue that the analogy between sacrifice and sublimity illuminates the transformation involved in moral rebirth, whereby the old self is relinquished for the sake of the new. This trans- formation comprises two interrelated aspects: suppressive sacrifice, which subordinates self-centered inclinations to the moral law, and kenotic sacrifice, in which self-centeredness is relinquished as part of a radical reorientation of one’s disposition. By situating these aspects within Kant’s discussions of grace, the archetype–prototype distinction, and the imagination’s “sacrifice” during experiences of the sublime, we show how sacrifice func- tions as a symbol both of the moral exemplar (Vorbild) and of the conversion process. The resulting threefold analogy—between the old/new self, Christ’s kenotic self-emptying, and the imagination’s renunciation within the experience of the sublime—reveals how aesthetic experience, especially the sublime, helps exemplify and empower moral transformation in Kant’s thought, supplementing what his ethics alone can explain.| File | Dimensione | Formato | |
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