The notions of digital virtuality and theatre, because are so close (as I pointed out in my Teatro e mondo digitale, 2003), if come close to each other, multiply their denotative power, producing such a mass of meaning to implode and create a sort of ‘meaning black hole’, where anything is adsorbed and disintegrated. We discuss of simulation and representation without a break; we point at aesthetic values using sociological categories; we act like artists and talk as engineers. Of course, confusion is often a ground to build new ideas. Nevertheless, while artists make their confusion, I think scholars would be better to making some sense.

Short invective on theatre and virtuality

PIZZO, Antonio
2005

Abstract

The notions of digital virtuality and theatre, because are so close (as I pointed out in my Teatro e mondo digitale, 2003), if come close to each other, multiply their denotative power, producing such a mass of meaning to implode and create a sort of ‘meaning black hole’, where anything is adsorbed and disintegrated. We discuss of simulation and representation without a break; we point at aesthetic values using sociological categories; we act like artists and talk as engineers. Of course, confusion is often a ground to build new ideas. Nevertheless, while artists make their confusion, I think scholars would be better to making some sense.
http://www.noemalab.org/sections/ideas/ideas_articles/pizzo_short_invective.html
Theatre; Virtual Reality; Multimedia
Antonio Pizzo
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Utilizza questo identificativo per citare o creare un link a questo documento: http://hdl.handle.net/2318/63509
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